“I love that she’s unapologetically badass. There’s no back-story trying to explain something horrible that happened to her that explains who she is. No, that’s just who she is. She just is this person; no explanation needed. Just like men—when a male character comes on screen and is a badass, you just accept it. And I’m hoping that’s what fans do with Rosa. She is who she is and she just doesn’t give a shit.”- Stephanie Beatriz on her character, Rosa Diaz, in Brooklyn Nine-Nine
Captain Ray Holt’s “Man in a Yellow Sweater Speech” feat. Jake’s Reaction
I love when artists choose covers from the opposite sex, but what I love even more is when those artists choose not to change gendered pronouns in said covers. Little Mix cut out the Morricone sample and inserted a Michael Jackson lick, making the song both a testament to that incredible, underappreciated genre of black funk rock from the early 80s and a stunning vocal anthem with more rolling harmonies than Cameo would have ever attempted. It sounds huge, and Perrie’s ability to use her accent to mimic Larry Blackmon’s performance makes it both fresh and funky. It’s a stunning homage to the original - hearing Blackmon’s “ow!” imitated multiple times was what tipped the scales for me - the girls take risks in rearranging the harmonies but retain that signature sound that made the original song so addictive. After you listen to this version, go give the original song a chance, because they’ll both make you feel pretty fucking cool.
ITS A POST!!!!!! WHY HAVENT I SEEN THIS IN POST FORM BEFORE!!!!
David Tennant keeping a straight face in this scene is the best acting that has ever happened in history and no one can convince me otherwise
Men’s Rights Activists.
Maybe I’ve met her already…
"He's been poisoned, you daft dimbo!"
I’m not afraid of cops. I have no reason to be I never break any laws, ever, because I’m deathly afraid of cops.